This study seeks to stand on the method of the Omani poet Muhammad in constructing his poetic discourse and shaping his texts and artistic worlds. What benefits the self-action and its search for a specific poetic vision that represents the world and writes it. In this, we issue a hypothesis that adopts the poetic text as a field for work. It stands on its practice, rhythm, and vision, considering the text an embodiment of this self. We see it in: 1. Poetic awareness and betting on his freedom to choose his ways and worlds. 2. The work of the poetic text in a language emanating from the body of an individual in history and culture. 3. The vision that the poem creates through images and formations of the imagined. Because the creative project of Mahmoud Hamad has not yet been completed; It is still in one of the stages of its artistic maturity. The effort of the paper is aimed at identifying the poetic awareness of the practice since the "Dialogue of Silence" (2005) by standing on: 1. The same discourse in its textual rhythm and artistic vision. 2. The poet's experience in writing within the relationship with the other, places and culture. 3. His poetic vision as an experiment that has to bet modernity as an endless path. A learned lesson that relies only on listening and dialogue with oneself as a way - and for the cognitive and aesthetic enjoyment that the poem and its biography convey to us horizontally.